From Black Lives Matter to COVID-19: Daily news podcasts and the reinvention of audio reporting Authors: Kyle J. Miller, Kim Fox, David O. Dowling Globally daily news podcasts have exponentially grown in popularity. To build on the increased interest in this podcast format,…
This article analyses the main Spanish independent podcast networks. It is a two-phase qualitative study based on direct observation of the networks, a number of secondary sources and, especially, on semi-structured in-depth interviews with the coordinators or managers of these networks. From the political economy of cultural industries, the main objectives are to determine the motivation, perspective, and dynamics of these networks, as well as to explore their financial model. As podcasting implies cultural practices and meanings, we want to analyse whether independent podcast networks are basically a grassroots cultural production that maintain their amateur philosophy, or whether, in contrast, they are evolving towards an institutionalization that moves them closer to cultural industries and their practices, and the study of Spanish independent podcast networks is a useful starting point for putting mainstream and historical definitions to the test. This study sets forth how the progressive formalisation of podcast networks has generated tensions in the grassroots-industrialization balance. Spanish independent podcasters are pro-ams entering the production process of an industry in which other industrialized actors have already been established.
True crime, a subset of crime-focused media that turns real cases into entertainment for the public’s consumption, regularly features co-victims within their narratives. To our knowledge, no studies have examined how co-victims (i.e., family members and friends of the victims and/or perpetrators) of intimate partner violence are portrayed
The recent decade has witnessed thriving discourses of feminism on social media in mainland China. Feminist podcasting rose in popularity in 2019. The article argues that feminist podcasting combines academic depth and social immediacy, complementing feminist discourse in both academia and popular culture